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The H / S / F MYKONOS PALACE, renamed in 2018, is one of the fastest, most luxurious and largest ships in its class.

This High Speed Ferry features, among other things, state-of-the-art stability blades that minimize vibration from the waves of the sea, making the journey even more comfortable and enjoyable.

Various areas of the ship, such as cabins, are illuminated from the series  "Jesolo" ceiling lamps of the Italian Nemo Lighting.

Marco Paolelli and Sandro Meneghello, in addition to product designers, are strategic consultants for industrial products. They founded the Meneghello Paolelli Associati in Milan in 2007. Since then, the studio has grown and now has a team of partners in addition to the founders, as well as a number of project development and communication partners.
The studio has received many international accolades, including 12 Red Dot Design Awards including 1 "Best of the Best", 7 Design Plus, 3 Good Design Award, 3 iF Design Award, 5 ADI Design Index, 4 special references to German Design Award and 5 references to the Young & Design award.
With Luceplan, the studio designed for the first time in 2021 a real collection of outdoor (Nui) luminaires with 4 different variants, ranging from wall and floor models, as well as a rechargeable in & out lamp (Nui Mini), which reflects the issue of portability in an unprecedented and highly sophisticated way.

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In his everyday life, man spends a lot of time watching television and is not small, the number of people wondering if the time they spend in front of the screen "hides" dangers for their vision and about which lighting is best suited to their eyes...accepting less fatigue.


Below we answer some very common questions.


- What should be the position of the TV in the room?

  First of all, make sure that the layout of the room and the position of the TV are such that it does not look towards a window or balcony door to avoid blurring and therefore the difficulty of seeing the image clearly. It would be ideal to try out many alternative locations until you find the right one, in which neither the natural light nor the light from the luminaires directly reflects on the TV screen.

We have to mention that it is very important that the position of the TV to be placed at least 5 times its length from the point where you sit.


- What lighting should I have in the room when I watch TV?

  
  Many of us like watching TV in the dark, while others with bright light in the room. In both extremes of circumstances, the only thing that will happen is the burden on our eyes and consequences that even result in headaches.

 Specifically, when the room is very dark, the contrast is very intense. The darkness causes the pupil to expand, leaving it exposed to the intense rays of light. In the second case, when there is a lot of light, the image appears very faded and it becomes difficult for the viewer to see clearly.

The ideal solution for adjusting lighting is in between (no absolute darkness or bright light).

Ambient lighting is appropriate for such situations. You can ideally use floor lamps or ceiling lights that direct the light up or towards the walls, or even table-ambient lamps.


  Another solution for optimal results is the use of the "Ideal Lume LCD backlight" gadget.
These are "strips" of fluorescent lamps or LEDs, which can be attached to the wall behind the TV. This system minimizes the blur created by the screen and emits as much light as is required to be restful on our eyes when watching TV. They also help to improve the color rendering of the screen.
 
 
Panos Mathios
Lighting Consultant
luceHabitat 
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If you are a professional and you want to make your hotel you can see our proposals following these steps:
 
 
  • Select the category interior lighting
 
 
  • In the drop-down menu that appears select professional lighting
 
 
  • Then appear three search filters (space, lighting type, prevailing color)

 
 

  • Choose the Hotel-filter.

 

* Contact us to get a complete proposal after studying the hotel or hotel premises.

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Perennial and award-winning lighting designers with their characteristic "informal elegance".

In 1993, the recently graduated architect Serge Cornelissen designed his first lighting products. Assisted by Robert Cornelissen, who has been designing for the lighting industry since 1982. Their creations are characterized by a great ability to combine form and technical functionality. 

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Description Shading and visual effects
Fumagalli (est.1973 at Varese Italy) is the company synonymous with quality in terms of exterior lighting worldwide.
Its innovation is located in the raw material of its materials and more specifically in the self-extinguishing polymer (resin). This material gives perfect durability, while offering economical choice to the final consumer.
Fumagalli prescribes luminaires that operate over time and even next to demanding conditions such as by the sea.
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Description Simple severe line that emphasizes the beauty of the minimalistic design.
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Where the mistakes are dangerous...

It is, I believe, undeniable that inadequate or inappropriate lighting is the most ... sure way of degrading any space in our home. It will eliminate important details, change the colors of carpets, tables and fabrics, create unwanted shadows, annoying shimmering and shades, etc ... in a nutshell, it will make everything that we spend on construction, furniture, equipment and decoration go!


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n contrast, of course, with a well-designed and carefully designed lighting that highlights upgrades and makes our spaces attractive, ensuring a comfortable and pleasant "atmosphere".

But there are two spaces in each house where the impact of a wrong lighting has not only aesthetic consequences.

KITCHEN proper lighting has the primary role in the safety of ours!

I want to believe that there is no man who puts his needs for security to a second degree and under his aesthetic preferences...


In this article we will analyze the most important factors in kitchen lighting.


KITCHEN

Kitchen is the most dangerous place in the home. Most home-grown accidents are happening inside. The use of cutting knives, gravel grinding, mixing of hot materials, opening of cans, can be dangerous activities under poor or inappropriate lighting.


The kitchen is a workspace and a high lighting requirement space.It must be illuminated like all workplaces. Not like a theater, a museum, a showcase, or a living room...Let the beauty, the atmosphere and the lighting effects for other spaces inside the house.


However, unfortunately, today with the prevalence of many people for spot lighting, many people are unknowingly exposed to serious dangers, driven by either "fashion" or minimalism, or by various kitchen furniture manufacturers incorporating in their furniture to make their product more impressive and more attractive to our eyes. And, of course, few make the effort to make the simple idea that whoever makes kitchens is expert there (in kitchen furniture and not in lighting !!!)


Spots are generally a dangerous luminaire in the kitchen! Spots means lighting "a spot" and the kitchen does not require spot lighting but uniform general and local (bench) lighting. The spots are conical illumination beams (range up to 60 ° maximum), and no matter how close-dense they are placed on the roof, they create areas with more and less light (brightness differences with a huge deviation of 100 to 3000 lux within a few centimeters!).


Because light is invisible (it is only perceived as it strikes somewhere and is reflected), these brightness differences seem like illuminations "spots" on the floor. But they are not only on the floor, but all over the place, and even stronger in our eye-level, and that puts our eyes in a constant stress of abrupt adjustments (the pupil of the eya constantly closes). During these adjustments we have "pauses" in vision and we do not see details and you can understand what can mean frequent pauses in vision and what can happen when we cut with a knife or rub on a grater or move something hot..

Perhaps the only exception for limited use of spots (and only there) is the presence of a parapet towards the central dining room.

As mentioned above, the kitchen requires an ample and uniform general lighting and horizontal and vertical. The recommended level is 250-300 lux (how many watts are needed to achieve these lux is a function of many factors). The most suitable solutions are in professional direct lighting systems with fluorescent lamps, or in at least two direct or indirect high intensity lighting lamps with iodine lamps (save energy for lower power consumption).


General lighting, among other things, should also help to see inside the cabinets and the vertical surfaces of electrical appliances. If you have the belief that the fluorescence creates a cold atmosphere, you should know that there are fluorescent lamps (or even with the Led bulbs defined by degrees Kelvin) with a warm tinge that resembles that of the iodine lamps.


There is another specificity. In the kitchen we usually work peripherally.The classic pendant luminaire in the middle of the room is not enough (despite how strong it is) because it will always be behind us and our shadow will fall on every activity we try on the workbenches (We will create brightness differences with our own body!).

 
There is also sufficient local lighting, above workbenches. The recommended level is 300-500 lux, can easily be achieved with fluorescent or linestra lamps usually under the cabinets or even the corresponding lighting fixtures with LED lighting technology.

Lighting also needs over the sink for proper washing of vegetables, dishes, utensils, etc.

If the kitchen includes a daily dining room it is good to have a pendant lamp above the table. Remember that kitchen often becomes the place most often used, the unofficial center of a home and requires a proper "atmosphere".

Note also that good daytime lighting is an advantage only when there is good artificial lighting to balance the excessive brightness of the sun coming out of the windows.

Finally, the cost required for the proper lighting of your kitchen should be estimated at around 15% of its total cost.

In the end, it is not reasonable to try to illuminate elegant furniture made of lacquer or designer formulas, expensive granites or marbles, and state-of-the-art appliances with..."low quality" lighting...
 
 
The main idea of the article was first published in 1997 by Costas Mathios in the KATOIKIA magazine.

 

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